subtleelectricfire:yellowcakeuranium:
For reals, I’m the ‘rare’ (less than 1%, apparently) INFJ.
I am the slightly less rare INFP.
GPOYW.
Amanda Michelle
Amanda Michelle. Soon to be mommy<3 I've made a lot of mistakes, if thats what you want to call them. I prefer to say that I've experienced life, and will continue to do so until I no longer breathe the air of this Earth.
Every year white people add 100 years to how long ago slavery was. I’ve heard educated white people say, ‘slavery was 400 years ago.’ No it very wasn’t. It was 140 years ago…that’s two 70-year-old ladies living and dying back to back. That’s how recently you could buy a guy.
Louis C.K. (via 30thcenturyboy)
Sylvester Magee, the (probable) last American born into slavery died in 1971.
The last living child of former American slaves, Mississippi Winn, died in 2010.
Slavery in the territory that is now the United States lasted more than 330 years. We will be 330 years removed from slavery in the year 2195.
(via fishingboatproceeds)(via fishingboatproceeds)
Amazon Unpacked, Ben Roberts
(via rchtctrstdntblg)
Actually, yes, I did know, thank you. Because I like to watch documentaries like the lifeless person I am.
bleu:
fucking powerful. and unfortunately true
Tall people are assholes.
Tall people are assholes.
I don’t think it meant that tall people are assholes. I think it means that as you get older and older the more pain and suffering you’re put through, the more you learn to trust people less and less and you begin to grow into a selfish human being. You stop letting people in to your life and stop loving. You forget what love is since you’ve gone through life being ignored and taken advantage of.
Tall people are assholes.
Yeah tall people are assholes
EXCUSE YOU I AM TALL AND I AM NOT AN ASSHOLE I THINK SO YOU CAN KINDLY SHUT YOUR FACES OK
what an asshole thing to say.
Glad to be short
Fucking tall people.
(via differentstateofwalking)
THE 10 BEST MUSIC MOMENTS FROM SOFIA COPPOLA FILMS
From the start of her career as a filmmaker, it was abundantly clear that music was vitally important to Sofia Coppola, textually woven into the sinews of her work where so many other directors with her affinity for soundtracking were content to use the perfect pop song as mere window dressing. Few first-time directors have the funds and wherewithal to hire ambient pop wizards Air to score their debut feature, but Coppola has always made the most of her access. Refusing to rest on her laurels – she worked in close tandem with the French musicians to create a woozy soundscape that anchors “The Virgin Suicides” in the mode of a morbid reverie, the soft jazz bridges of “Playground Love” and ghoulish guitars of “Ghost Song” resulting in a consistent tonal groove that carries the Lisbon girls to the great beyond. Songs like “The Word ‘Hurricane’” and the haunted “Suicides Underground” actively incorporate the script into their sonic decay, setting the tone for how inextricable the music of Sofia Coppola’s films has been from her narratives.
Of course, “The Virgin Suicides,” and all of Coppola’s subsequent films, also illustrated her genius for finding the perfect pre-existing pop song to pair with a given moment, challenging the likes of Quentin Tarantino and Wong Kar-Wai as the modern masters of soundtracking. “The Bling Ring,” which expands to theaters across the country on Friday, is further proof that Coppola’s movies can still immediately and forever recontextualize a song – hearing the crunchy opening riffs of Sleigh Bells’ “Crown on the Ground” over the film’s trailer was enough to make me feel as though the indie rock stomper had finally found its true purpose.
With that in mind, here are the 10 Best Music Moments from Sofia Coppola Films.
(via bbook)
Eh. I like my barbells. Nipple piercings make your boobies prettier!
